Warren James, On The Road 2014

Hello all, just wanted to pop an update to you all.

The new year isn’t so new anymore and I’m pushing the miles good and hard whilst travelling the length and breadth of the UK. Performing my one man show at a diverse range of venues nationwide whilst entertaining such varied audiences is simply a pleasure –  although sleeping in the car some nights is less ‘glam’ 🙂

My tour dates are regularly updated at http://www.warrenjamesmusic.com – they’re filling incredibly and will continue to do so be sure to visit regularly – alternatively you can join me on facebook where it’s a lot more social and easier to keep in touch.
http://www.facebook.com/warrenjamesskifflestar

Tomorrow night I’m performing at Huntingdon Hall in Worcester, a wonderful venue, lots of character and history so if you live or know of anyone near by then come along – remember that you can call the box office and get in for just £5 if quote the discount code “Turbo5” otherwise it’s £15 – spread the word folks.

Having received a second review for my performance at Salford’s Lowry last month I thought I would share it with you as it’s lovely and rare to get such kind remarks, it really makes you feel like all of your hard work is worth it – thanks for your support and hope to see you on the road.

Warren James – The Skiffle Sessions

Resident in the Midlands but originally hailing from the Delta Blues not so hotspot of Warrington, Warren James would appear to be an unlikely champion of that particular musical genre. But thanks to exposure to his grandparents’ tastes in music, here he is entertaining the Lowry audience with a selection of hot blues, country and folk, heading back to the early days of the music. Billed as a skiffle show, James is at great pains to point out that the term skiffle relates not just to comedy songs about dustmen but to a whole area of DIY blues music stretching back a century to the Deep South of America and the culture of slaves before being picked up in a commercial sense.

Leading a three piece band with young guitarist Tom Wright, Steve Barr on a very battered double bass and James himself playing guitar, banjo, and a bass drum (his drummer, he tells us, called in sick this morning), his show is a brief education in the history of American folk music. Drawing heavily on the music of Lead Belly and Woody Guthrie, the first half of the set goes right back to the beginning of the genre with a sharp, clear, bluesy sound, only usually heard these days under the heavy crackle of old vinyl.

The trio make a very tight band of fine musicians and James’ English midlands speaking accent is replaced with such an authentic sounding American twang to reconstruct the songs, it’s easy to forget his own roots. After the interval, the more commercial and better known sounds of the genre come to the fore, with songs like Black Betty and Worried Man Blues as well as a frantic, tongue in cheek version of Lonnie Donegan’s Does Your Chewing Gum Lose Its Flavour? all helping to bring the evening to a very satisfactory conclusion.

All through the show, it’s evident that Warren James is a man in love with folk and blues music and the culture behind it, and this shines through in his performance. A performance that would have even people with no experience of this music, clapping and singing along to this pleasantly entertaining evening of Americana.

Reviewed Iain Sykes on 26th January 2014 – Public Reviews.com

Review: Warren James, Skiffle Sessions – The Lowry, Salford

Review: Warren James and his Skiffle Sessions Band – The Lowry, Salford

By Clive K Hammond
SalfordOnline.com rating: 4 out of 5

Kicking off his skiffle revival crusade on Sunday 26 Janurary, Warren James guided the Lowry audience through an engaging masterclass as he performed a string of contagious folk-driven numbers.

Originally born in Warrington, Warren grew up on a diet of crackling Lonnie Johnson records which his grandparents used to play him and as opposed to pretending to play the air guitar to Guns’n’Roses tracks like his class mates, he began playing the banjo.

And since his debut show on BBC Merseyside in 1994 it is a love affair which continues blossom.

Sparsely lit and the compact audience settled, Warren and his Skiffle Sessions Band picked up the battered instruments which scattered the stage and dived straight into a number of fast-paced pieces.

Backed by Tom Wright on lead guitar and Stevie Barr on double bass, the trio moved quickly in time whilst performing traditional American classics such as Buffalo Gals and John Henry with Tom’s quick fire acoustic melodies blending perfectly with Stevie’s playful bass lines and Warren’s unique vocal tones.

With Stevie’s jet black hair slicked back and his fingers plucking on his black double bass, the ensemble fittingly looked like they had just finished a stint performing in a Johnny Cash tribute band.

Warren’s ability to dynamically shift the atmosphere of the room was impeccable as he would waltz between upbeat acoustic numbers and sombre, heart wrenching ballads before regaling well planned anecdotes on the icons his grandparents brought him up on.

From skiffle king Lonnie Donegan to influential American blues artist Leadbelly, Warren’s clear passion for the often-maligned genre was as endearing as it was infectious and the audience’s knowledge of the movement was broader for it.

Although the group consisted of clearly talented musicians, the trio’s greatest strength lied within their capacity to deftly layer the music they were displaying.

Through reimagined covers of pieces like the Carter Family’s Keep on the Sunny Side, the group would stab their instruments simultaneously, giving Warren the perfect backdrop to powerfully pour the lyrics out on.

And with each song allowing Tom at least 16 bars to strikingly cut through a perfect solo, the easy-going nature of the genre filtered out to the audience who would regularly sing at Warren’s demand.

As the opening section of the performance consisted mainly of the roots of skiffle, the second centred itself around the more well-known numbers that cemented the genre’s influential status.

Stamping on the pedal of the sole bass drum, Warren began the final half with a grooving rendition of Lead Belly’s universal classic Black Betty.

This was followed by another Belly classic Cotton Fields and by this point the audience were visibly moving and shaking in their seats.

To be able to flood the music which was initially conceived by American slaves over 100 years ago with so much joy and genuine excitement is a testament to Warren and his companions.

Perhaps the commercial machine that dictates the broad musical tastes of the public isn’t ready for a fresh bout of skiffle music.

However, for people such as Warren who have sincere emotional ties to a genre that has been so influential in the development of popular music, perhaps it is better it stays that way.

And with Warren nestled at the front of the skiffle revival, it has to be said the movement is in safe hands.